Thursday, March 24, 2011

Daily art news


LONDON.- The Alan Cristea Gallery, London presents an exhibition of rare Portrait Lithographs by Pablo Picasso, from 24 March until 21 April 2011. Lithography, a method for printing using a stone or metal plate, was a medium which fascinated Picasso; this exhibition charts the decade from 1945 which saw his most prolific period of activity in the medium through a tightly edited group of just 16 works representing some of the best and rarest examples on the market (prices range from £12,000-150,000). The majority of these works, many depicting his mistresses, were only produced as copies of successive stages of a stone or plate and as such never intended for public display and distribution; consequently these ‘artists’ proofs are highly sought after by collectors around the world. 




HIRBET MADRAS (AP).- Israeli archaeologists presented a newly uncovered 1,500-year-old church in the Judean hills on Wednesday, including an unusually well-preserved mosaic floor with images of lions, foxes, fish and peacocks. 
The Byzantine church located southwest of Jerusalem, excavated over the last two months, will be visible only for another week before archaeologists cover it again with soil for its own protection. The small basilica with an exquisitely decorated floor was active between the fifth and seventh centuries A.D., said the dig's leader, Amir Ganor of the Israel Antiquities Authority. He said the floor was "one of the most beautiful mosaics to be uncovered in Israel in recent years." "It is unique in its craftsmanship and level of preservation," he said.


WARSAW.- This pioneering exhibition of ca 180 objects from the collection of the National Museum in Warsaw, featuring the most important examples of Polish design, rarely seen in the West, will explore the significance of the objects of everyday use in shaping modernity and the modern Polish identity emerging during the post-thaw period. The collection of post-1945 design in the National Museum in Warsaw is the best in Poland, and the exhibition will benefit from it, showing a whole range of applied arts of the period, including ceramics, glass, textiles, furniture, and other household objects, periodicals, photographs, and films. Apart from its focus on the purely aesthetic values of the objects presented in glass cases, the exhibition will also be showing “social lives” of the works on display, namely the ways in which those objects were represented in periodicals and films promoting modern forms of life, and the ways in which they were used by real consumers in private interiors of the socialist Poland. This aspect of the exhibition will be enhanced by a multimedia presentation of various features of the material culture of the post-thaw Poland, with a range of film clips of the period. 

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