From home and abroad, ten highlights at this year’s festival.
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NEVER LET ME GO
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SILENT SOULS
This unique, droll, faintly mystical rural Russian tale tracks two men – a
photographer and a bereaved factory owner – taking a road trip to bury the
latter’s wife. It frequently alludes to local customs and folklore that may
just be tongue-in-cheek inventions. Art-house heaven.
Sofia Coppola’s entertaining contemplation on fame and celebrity, which won
the Golden Lion in Venice, stars Stephen Dorff as a debauched, dissolute
Hollywood star finding meaning in his life through his astute, level-headed
11-year-old daughter (Elle Fanning).
OUTSIDE THE LAW (HORS LA LOI)
Rachid Bouchareb (Days of Glory) takes as his subject the FLN, the Algerian
liberation front, and three brothers who become involved in its clandestine
campaign in France. Right-wing politicians have called for this provocative
thriller to be banned.
127 HOURS
Danny Boyle directs the festival’s closing film, a gripping story of human endurance. James Franco is a mountain climber trapped by a fallen rock, recording his thoughts as he considers his mortality over five gruelling days.
PORTRAIT OF THE FIGHTER AS A YOUNG MAN
A story of a struggle for national identity from director Constantin Popescu about the Romanian resistance movement in the Forties and Fifties, taking on the invading Soviet military machine. Hugely promising.
SUBMARINE
Word of mouth is remarkably strong for this directing debut by Richard Ayaode (Moss in TV’s The IT Crowd), about a Welsh teenager (Craig Roberts) desperately trying to lose his virginity and hold his parents’ marriage together.
UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES
A must-see: Thai auteur Apichatpong Weerasethakul’s Palme d’Or winner in Cannes, about a dying farmer visited by ghosts and remembering his ancestors.
BLACK SWAN
Darren Aronovsky’s taut New York psychodrama about an aspiring ballet dancer (Natalie Portman) and her predatory artistic director (Vincent Cassel) was a big favourite in Venice.
BENDA BILILI!
A terrific documentary that follows a group of disabled Congolese musicians and street kids, some of them playing improvised instruments, on their first European tour.
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