From home and abroad, ten highlights at this year’s festival.  
 The BFI London Film 
  Festival has become gradually stronger in recent years under the 
  shrewd guidance of artistic director Sandra Hebron and her team. This year’s 
  schedule may be its best yet: a broad 
  range of contemporary world cinema, a strong strand of new British films, 
  and various events, on-stage interviews and discussions. In this troubled 
  period for our film industry, the festival is a credit to the British Film 
  Institute. Here are 10 potential highlights. 
   
 NEVER LET ME GO
The opening film, a visually stunning adaptation of Kazuo Ishiguro’s novel 
  about three pupils at an apparently idyllic English boarding school, living 
  with the awareness that their lives will be foreshortened. With Carey 
  Mulligan, Andrew Garfield and Keira Knightley; directed by Mark Romanek (One 
  Hour Photo). 
     SILENT SOULS 
This unique, droll, faintly mystical rural Russian tale tracks two men – a 
  photographer and a bereaved factory owner – taking a road trip to bury the 
  latter’s wife. It frequently alludes to local customs and folklore that may 
  just be tongue-in-cheek inventions. Art-house heaven. 
Sofia Coppola’s entertaining contemplation on fame and celebrity, which won 
  the Golden Lion in Venice, stars Stephen Dorff as a debauched, dissolute 
  Hollywood star finding meaning in his life through his astute, level-headed 
  11-year-old daughter (Elle Fanning). 
OUTSIDE THE LAW (HORS LA LOI)
 
Rachid Bouchareb (Days of Glory) takes as his subject the FLN, the Algerian 
  liberation front, and three brothers who become involved in its clandestine 
  campaign in France. Right-wing politicians have called for this provocative 
  thriller to be banned. 
    
127 HOURS
Danny Boyle directs the festival’s closing film, a gripping story of human endurance. James Franco is a mountain climber trapped by a fallen rock, recording his thoughts as he considers his mortality over five gruelling days.
PORTRAIT OF THE FIGHTER AS A YOUNG MAN
A story of a struggle for national identity from director Constantin Popescu about the Romanian resistance movement in the Forties and Fifties, taking on the invading Soviet military machine. Hugely promising.
  
SUBMARINE
Word of mouth is remarkably strong for this directing debut by Richard Ayaode (Moss in TV’s The IT Crowd), about a Welsh teenager (Craig Roberts) desperately trying to lose his virginity and hold his parents’ marriage together.
UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES 
A must-see: Thai auteur Apichatpong Weerasethakul’s Palme d’Or winner in Cannes, about a dying farmer visited by ghosts and remembering his ancestors.
BLACK SWAN
Darren Aronovsky’s taut New York psychodrama about an aspiring ballet dancer (Natalie Portman) and her predatory artistic director (Vincent Cassel) was a big favourite in Venice.
BENDA BILILI! 
A terrific documentary that follows a group of disabled Congolese musicians and street kids, some of them playing improvised instruments, on their first European tour.









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